Longtemps considérée comme rare ou marginale, l’autotraduction littéraire est aujourd’hui reconnue comme un phénomène largement répandu: des centaines d’écrivains se sont traduits eux-mêmes. Ce numéro d’Oltreoceano se concentre sur l’autotraduction dite “multidirectionnelle” (Julio-César Santoyo) entre trois langues (voire davantage), moins courante certes mais dont les études réunies ici montrent néanmoins la remarquable vitalité. En résulte un riche aperçu de la diversité des pratiques qui invite à une compréhension plus large de l’autotraduction comme phénomène multilingue et multidirectionnel. | Long considered rare or marginal, literary self-translation is now recognized as a widely practiced phenomenon: hundreds of writers have translated one or more of their own works. This issue of Oltreoceano focuses more specifically on so-called “multidirectional self-translations” (Julio-César Santoyo) that combine three or even more languages, admittedly a less common scenario but one whose vitality is nonetheless attested in the various essays that make up this issue. The resulting overview reveals the richness and diversity of these multilingual practices and argues for a broader understanding of self-translation as an inherently multilingual and multidirectional phenomenon.

L'autotraduction trilingue / L'autotraduzione trilingue / La autotraducción trilingüe

Regattin, Fabio
2026-01-01

Abstract

Longtemps considérée comme rare ou marginale, l’autotraduction littéraire est aujourd’hui reconnue comme un phénomène largement répandu: des centaines d’écrivains se sont traduits eux-mêmes. Ce numéro d’Oltreoceano se concentre sur l’autotraduction dite “multidirectionnelle” (Julio-César Santoyo) entre trois langues (voire davantage), moins courante certes mais dont les études réunies ici montrent néanmoins la remarquable vitalité. En résulte un riche aperçu de la diversité des pratiques qui invite à une compréhension plus large de l’autotraduction comme phénomène multilingue et multidirectionnel. | Long considered rare or marginal, literary self-translation is now recognized as a widely practiced phenomenon: hundreds of writers have translated one or more of their own works. This issue of Oltreoceano focuses more specifically on so-called “multidirectional self-translations” (Julio-César Santoyo) that combine three or even more languages, admittedly a less common scenario but one whose vitality is nonetheless attested in the various essays that make up this issue. The resulting overview reveals the richness and diversity of these multilingual practices and argues for a broader understanding of self-translation as an inherently multilingual and multidirectional phenomenon.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11390/1343584
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