The essay analyzes the deep interrelation between literature and painting (as regards both the semantic and the structural-formal level) in the last four novels by Azorin (Capricho, 1943; Maria Fontan, 1944; La isla sin aurora, 1944; Salvadora de Olbena, 1944), most influenced by various painters who were very familiar to the writer, such as Velazquez, Rembrandt, Rodin, Cézanne. The essay aims at showing that the presence and the use of ekphrasis in these novels is fundamental because it is profoundly linked with Azorin's own poetics.
Ut pictura fictio: trazas y trazos pict ricos en las ltimas novelas de Azor n
LONDERO, Renata
2009-01-01
Abstract
The essay analyzes the deep interrelation between literature and painting (as regards both the semantic and the structural-formal level) in the last four novels by Azorin (Capricho, 1943; Maria Fontan, 1944; La isla sin aurora, 1944; Salvadora de Olbena, 1944), most influenced by various painters who were very familiar to the writer, such as Velazquez, Rembrandt, Rodin, Cézanne. The essay aims at showing that the presence and the use of ekphrasis in these novels is fundamental because it is profoundly linked with Azorin's own poetics.File in questo prodotto:
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