CINECA IRIS Institutional Research Information System
IRIS è la piattaforma adottata dall’Università degli Studi di Udine per gestire l’archivio aperto dei prodotti della ricerca. L’archivio contiene articoli, contributi in volume, monografie, interventi pubblicati in atti di convegno, Tesi di dottorato e altri materiali.
EnglishThe sketches for Edgard Varèse’s Déserts (1954) provide new perspectives on the composer’s working methods. Examination of these documents shows that the orchestral score of Déserts is built on a single twelve-tone row. This paper aims to show how Varèse formed invariant relations between set forms by the association of consecutive and non-consecutive elements. Specific examples of the compositional realization of such relationships are provided through sketch-based analyses.
| Titolo: | Twelve-tone technique in Varèse’s sketches of Déserts |
| Autori: | |
| Data di pubblicazione: | 2014 |
| Rivista: | |
| Abstract: | The sketches for Edgard Varèse’s Déserts (1954) provide new perspectives on the composer’s working methods. Examination of these documents shows that the orchestral score of Déserts is built on a single twelve-tone row. This paper aims to show how Varèse formed invariant relations between set forms by the association of consecutive and non-consecutive elements. Specific examples of the compositional realization of such relationships are provided through sketch-based analyses. |
| Handle: | http://hdl.handle.net/11390/1081291 |
| Appare nelle tipologie: | 1.1 Articolo in rivista |
File in questo prodotto:
| File | Descrizione | Tipologia | Licenza | |
|---|---|---|---|---|
| Article proof.pdf | Articolo: Twelve-tone technique in Varèse's sketches of Déserts | Versione Editoriale (PDF) | Non pubblico | Accesso ristretto Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
Copyright © 2020