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EnglishThe sketches for Edgard Varèse’s Déserts (1954) provide new perspectives on the composer’s working methods. Examination of these documents shows that the orchestral score of Déserts is built on a single twelve-tone row. This paper aims to show how Varèse formed invariant relations between set forms by the association of consecutive and non-consecutive elements. Specific examples of the compositional realization of such relationships are provided through sketch-based analyses.
| Titolo: | Twelve-tone technique in Varèse’s sketches of Déserts |
| Autori: | |
| Data di pubblicazione: | 2014 |
| Rivista: | |
| Abstract: | The sketches for Edgard Varèse’s Déserts (1954) provide new perspectives on the composer’s working methods. Examination of these documents shows that the orchestral score of Déserts is built on a single twelve-tone row. This paper aims to show how Varèse formed invariant relations between set forms by the association of consecutive and non-consecutive elements. Specific examples of the compositional realization of such relationships are provided through sketch-based analyses. |
| Handle: | http://hdl.handle.net/11390/1081291 |
| Appare nelle tipologie: | 1.1 Articolo in rivista |
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