his essay aims to provide an overview of the festivals dedicated to the analog films and performance practices of filmmakers and artist-run laboratories that posit themselves as media counter-culture and analog ‘resistance’. Such events offer the films’ material quality as a contrast to the planned obsolescence common in the IT industry. Currently, many filmmakers, artists and collectives create spaces, cooperatives, and independent labs to construct a media archaeology approach that is based on the experimental, hands-on re-enactment of traditional and obsolete practices. These film performance events thus exhibit the counter-cultural research performatively pursued by filmmakers, artists and collectives in an attempt to attract a perceptive audience capable of fully understanding this complex fruitive experience.
Festivals and dispositifs of analog counter-culture
Rossella Catanese
2022-01-01
Abstract
his essay aims to provide an overview of the festivals dedicated to the analog films and performance practices of filmmakers and artist-run laboratories that posit themselves as media counter-culture and analog ‘resistance’. Such events offer the films’ material quality as a contrast to the planned obsolescence common in the IT industry. Currently, many filmmakers, artists and collectives create spaces, cooperatives, and independent labs to construct a media archaeology approach that is based on the experimental, hands-on re-enactment of traditional and obsolete practices. These film performance events thus exhibit the counter-cultural research performatively pursued by filmmakers, artists and collectives in an attempt to attract a perceptive audience capable of fully understanding this complex fruitive experience.File | Dimensione | Formato | |
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[Rossella Catanese & Clizia Centorrino] Festivals and dispositifs of analog counter culture.pdf
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