The paper provides an ethnographic analysis of the 2013 International Art Exhibition of the Venice Biennale. The methodological approach to research and writing is based on autoethnography and shadowing. The text defines the fieldwork as a “field of practices” which is performed in observing visitors’ trajectories.
A Fieldwork on the Move. Fare autoetnografia alla Biennale d’arte di Venezia, Visual Ethnography
Pietro Meloni
2015-01-01
Abstract
The paper provides an ethnographic analysis of the 2013 International Art Exhibition of the Venice Biennale. The methodological approach to research and writing is based on autoethnography and shadowing. The text defines the fieldwork as a “field of practices” which is performed in observing visitors’ trajectories.File in questo prodotto:
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