In this paper I address the question of whether, how, and what we know through artistic improvisation. Has artistic improvisation a specific cognitive supply? Can this alleged cognitive supply contribute to the aesthetic merit of the performance? And how? In order to answer these questions I will first explain which is exactly the problem we face. Secondly, I will try to give some suggestions to solve this problem.
What do we know through improvisation?,
BERTINETTO, Alessandro Giovanni
2013-01-01
Abstract
In this paper I address the question of whether, how, and what we know through artistic improvisation. Has artistic improvisation a specific cognitive supply? Can this alleged cognitive supply contribute to the aesthetic merit of the performance? And how? In order to answer these questions I will first explain which is exactly the problem we face. Secondly, I will try to give some suggestions to solve this problem.File in questo prodotto:
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